Alexander Gavrylyuk

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Alexander Gavrylyuk

Piano

Alexander Gavrylyuk is managed in the Benelux by Ydeleine Berntsen.

Contact:
E: ydeleine.berntsen@interartists.nl

T: +31 6 25 46 18 66


A stunningly virtuosic pianist, Alexander Gavrylyuk is internationally recognised for his electrifying and poetic performances. His BBC Proms performance of Rachmaninov’s Third Piano Concerto was described as “revelatory” by The Times and “electrifying” by Limelight.

Future highlights include debuts with the San Diego Symphony and the Bergen Symphony and return visits to Chicago Symphony, Sydney Symphony, the Netherlands Philharmonic orchestra and the São Paulo Symphony. Alexander will also play recitals throughout Europe and North America.

He enjoys regular relationships with orchestras such as Rotterdam Philharmonic, Hallé, Royal Concertgebouw Orchestra, São Paulo Symphony Orchestra and the Sydney Symphony.

Alexander also appears in solo recital at prestigious venues through Europe, including Wigmore Hall, Muziekgebouw Frits Philips Eindhoven, Perth Concert Hall, and throughout Australia.

Born in Ukraine in 1984 and holding Australian citizenship, Alexander began his piano studies at the age of seven and gave his first concerto performance when he was nine years old. At the age of 13, Alexander moved to Sydney where he lived until 2006. He won First Prize and Gold Medal at the Horowitz International Piano Competition (1999), First Prize at the Hamamatsu International Piano Competition (2000), and Gold Medal at the Arthur Rubinstein International Piano Masters Competition (2005).

He has since gone on to perform with many of the world’s leading orchestras, including: New York, Los Angeles, Czech, Warsaw, Moscow, Seoul, Israel and Rotterdam Philharmonics; NHK, Chicago, Cincinnati and City of Birmingham Symphony orchestras; Royal Concertgebouw Orchestra, Philharmonia, Wiener Symphoniker, Orchestre National de Lille and the Stuttgarter Philharmoniker; collaborating with conductors such as Vladimir Ashkenazy, Alexandre Bloch, Herbert Blomstedt, Andrey Boreyko, Thomas Dausgaard, Valery Gergiev, Neeme Järvi, Vladimir Jurowski, Sebastian Lang-Lessing, Kirill Karabits, Louis Langrée, Cornelius Meister, Vassily Petrenko, Rafael Payare, Alexander Shelley, Yuri Simonov, Vladimir Spivakov, Markus Stenz, Sir Mark Elder, Thomas Søndergård, Gergely Madaras, Mario Venzago, Enrique Mazzola and Osmo Vänska.

Gavrylyuk has appeared at many of the world’s foremost festivals, including the Hollywood Bowl, Bravo! Vail Colorado, Mostly Mozart, the Ruhr Festival, the Kissinger Sommer International Music Festival, the Gergiev Festival in Rotterdam. As a recitalist Alexander has performed at the Musikverein in Vienna, Tonhalle Zurich, Victoria Hall Geneva, Southbank Centre’s International Piano Series, Wigmore Hall, The Master Pianists Series in the Royal Concertgebouw in Amsterdam, Suntory Hall, Tokyo Opera City hall, Great Hall of Moscow Conservatory, Cologne Philharmonie, Tokyo City Concert Hall, San Francisco, Sydney Recital Hall and Melbourne Recital Centre. Alexander also performs regularly with his recital partner Janine Jansen throughout Europe.

In 2009 he made an acclaimed recording of the complete Prokofiev Concertos with Vladimir Ashkenazy and the Sydney Symphony which was recorded live at the Sydney Opera House. In addition to the Prokofiev cycle, he has recorded recital discs of works by Rachmaninov, Schumann, Scriabin, Mussorgsky and Prokofiev. Reviewing his latest disc of works by Brahms and Liszt, Gramophone magazine raved “this album should be in every serious collector's library.”

Alexander is Artist in Residence at Chautauqua Institution where he leads the piano program as an artistic advisor. He supports a number of charities including Theme and Variations Young Pianist Trust which aims to provide support and encouragement to young, aspiring Australian pianists as well as Opportunity Cambodia, which has built a residential facility for Cambodian children.

Alexander Gavrylyuk is a Steinway Artist



Reviews

Alexander Gavrylyuk is, easily, the most compelling pianist of his generation.
— Limelight Australia, Roger Woodward
These contrasts were brought out magnificently by Rachmaninov specialist Alexander Gavrylyuk in a performance that was note-perfect as well as being interpretively impressive. His bright and crisp pianism made the music gleam. In other places he was ruminative, while heart-on-sleeve romanticism wasn’t neglected either, but thankfully kept in check. This is later Rachmaninov after all - a bit leaner in expression - and Gavrylyuk’s interpretation emphasized that to very good effect.
— Bachtrack, Philip Nones (on Rhapsody on a Theme of Paganini)
He showed no effort in mastering the concerto’s blistering speed, pounding rhythms, and exuberant marches - misjudged by an early critic as “coarse and crude.” The concerto’s sweeping opening sounds like a typical Beethoven finale, making one wonder where it will go from there- and it becomes even faster and bigger, with breakneck, unrelieved power.
— San Francisco Classical Voice, Janos Gereben
Again a magical performance at the highest level and a grand piano that seemed to sound like a symphony orchestra in full swing due to intense dynamic contrast. Gavrylyuk, far above the music’s surface, showed how his technique can serve the music and compelled the audience to breathlessness.
— Eindhovens Dagblad, Cornélie Hoendervanger
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