Anna Fedorova
Piano
Representation: worldwide
Anna Fedorova is managed in Spain, Portugal, Latin America and Scandinavia by Weller Artists
Anna Fedorova is managed in Italy by Ilaria Scaffardi Management
Contact:
E: leontien.vandervliet@interartists.nl
T: +31 6 5 24 68 707
Concert Highlights
September 27: Concerto performance and BBC recording at St. Michael’s Parish Church, New Ross, Ireland, with New Ross Festival Orchestra, Chopin: Piano Concerto No. 2 in F minor, Op. 21
October 2: with Sinfonia Rotterdam and Conrad van Alphen at Festival Zeeuws-Vlaanderen, Netherlands, Grieg: Piano Concerto in A minor, Op. 16
November 7: Solo recital at Música en Segura, Segura de la Sierra, Spain, Chopin programme
November 8: Charity concert for Ukraine at Concertgebouw Main Hall, Amsterdam, Netherlands
November 28: Concert at Cunerakerk, Rhenen, Netherlands, with Daniel Rowland, Tim Brackman, Floor LeCoultre, Maja Bogdanović & Nicky Schwartz
December 4: Solo recital at Salle Gaveau, Paris, France, Liberté programme
December 13: Solo recital at Palau de la Música, Barcelona, Spain, Liberté programme
Brahms - CD presentation recitals
October 28: Solo recital in Skellefteå, Sweden
November 3: Solo recital at Leeds Conservatoire, United Kingdom
November 17: Solo recital at Teatro Kursaal Santa Lucia, Bari, Italy
November 19: Solo recital at Teatro Argentina, Rome, Italy
Reviews
2026/9 Release Channel Classics CD Brahms: Intermezzi, Op. 117 – Klavierstücke, Opp. 118 & 119
“Brilliant Brahms from a superbly humane pianist. [...] She has a rich and beautiful sound, for a start, and a wonderful way with voicing; [...] she allows the inner lines to sing through, as if Brahms is writing for an invisible choir.”
“two releases from Anna Fedorova and András Schiff both feature Brahms’ late Opp. 117–119 sets, but Schiff’s also includes Opp. 76 and 116.
Fedorova’s Op. 117 is best defined by her exquisite voice leading, present in each of the three works. In faithfully maintaining the integrity and continuity of the thematic material, she creates a fluid and expansive quality despite the structural minimalism. The melodiousness also elicits different but equally comforting emotions throughout: empathy in the Andante moderato (track 1), gentle yearning in the Andante non troppo (track 2), and gravity in the Andante con moto (track 3).
Schiff’s performance is equally effective but in a different manner: the period instrument, while resonant, has a lighter profile than Fedorova’s. This evokes a Classical elegance that we don’t always associate with late Brahms. ”
“[...] the greatest appeal of Anna Fedorova’s piano playing lies in the refinement of her timbres. But there is, of course, much more to discover in her interpretations: the tranquillity they radiate, the clarity of her phrasing and her intuitive sense of structure (at least, that is how it strikes me). With her, it is not about grand gestures, but about control and refinement. That by no means implies that the listener is deprived of drama and lyricism. On the contrary: both unfold from a highly developed sense of proportion. This is complemented by the minute yet clearly perceptible rubato and the suppleness that also characterises her art of phrasing. All this lends her playing a certain authority that is not tied to any one particular composer.
This means that her Brahms, in a word, is magnificent: these late piano works, too, suit her like the proverbial glove.”
13 concerts tour performing Chopin 2 with the Ukrainian Freedom Orchestra
“It has been my greatest joy to listen to Anna Fedorova’s wonderful performance of the Chopin F minor Concerto at the BBC Proms concert with the Ukrainian Freedom Orchestra under Keri-Lynn Wilson. Her beautiful sound and natural freedom in making music with total technical security made for one of the finest Chopin performances I have heard in a long long time.”
“The pianist Anna Fedorova was a sensitive, poetic soloist in Chopin’s Piano Concerto No. 2, a nod to the Polish support for the Freedom Orchestra project.”
“In Chopin’s Piano Concerto No 2, Anna Fedorova provided laid-back virtuosity on tap, while the quality of orchestral blend was extraordinary for an ensemble giving its second ever performance.”
“Die [..Spannung in Sylvestrovs Symphonie] löst sich bei Chopins 2. Klavierkonzert, das Anna Fedorova mit großer Innigkeit spielt, ohne dabei je ihre Virtuosität in den Vordergrund zu rücken; sie ist im
wahrsten Sinne eine „Dienerin des Wer- kes“, ”
Recital debut La Roque d’Anthéron
“Mussorgsky: Pictures at an Exhibition. With what virtuosity the young woman tackles this last part of the program. We are with her and understand everything about the exhibition which, one day, captivated the composer. All the subtleties, the phrasing, the technical freedom, the expressions are exposed. Time has stopped and the auditorium has turned into a dreamlike gallery! This is a very original creation ever created for the piano. Imagine, we walk from one canvas to another, the music pays a vibrant tribute to painting and even if the painter is not familiar to us, (Viktor Hartmann), it doesn’t matter!
Music and painting closely linked, Mussorgsky paints with music, and Ana Fedorova shakes the brushes, plays with the pigments, sometimes takes out the painting knives to work the sound material! We believe in the ability to hear colors in music and with Anna Fedorova, the impression felt musically is strong, vibrant. This also comes from the fact that his piano treatment is almost orchestral. We also like the orchestral version of an inspired Ravel, who respected the original music.
Anna Fedorova, at the end of the concert, has revealed us that it is this piece that she preferred to play that evening. She was in perfect communion with Modeste Moussorgski.
It has been seen, and heard, of course!”